History
Tom Petersson of Cheap Trick came up with the idea of 12 string bass back in the '70s. After using eight strings she was not satisfied with a thin sound that they produce. Working with Joel Danzig from Hamer Guitars in 1977 they were threatened and came up with a 10 string bass first. Than all three times they doubled strings E and A strings and three-fold and the D string E. They realize the concept of work and held his neck so that they continue to develop the first string bass 12. The bass, first of all a short 30.5 "scale to keep the tension on the neck since it is a compromise with a shorter scale bass does not make a lot of low end but has a cool voice doubled guitar'ish .. The first eight or more than 12vers is Quadraphonic cable with built-in small mixing board is referred to as bass Quad. They are way more complicated than they need. Each group of strings can have their own output pan left and right and also itself EQ They are also equipped with a standard pickup for mono output Output Quad .. never used to buy Tom Petersson.
Around the year 1980 or so long scale bass strings first 12 produced by Hamer but many of the early bass neck problems because they have only one truss rod to hold all the tension. Around the year 1989 added a dual truss system that eliminated the neck helps the problem. In the late 90's several manufacturers such as Dean and Carlo Robelli and began producing their own versions and imports by developing models that help drive prices down drastically. Hamer adds cheaper imports 12 string bass in 1998 realized there was a market for an average player. Chandler Guitars built a very good model for Tom Petersson called Royal, but at $ 4000.00 a pop on average players you avoid them. Waterstone Guitars hang out with Tom Petersson in 2004 and develops, affordable semi-hollow 12ver durable for about $ 1,300.00. These models are Tom's Signature Series is known as TP-12.
12 String Bass ...
Most bass players could take a 12 string bass and bass playing as soon as usual with out much trouble. Techniques a player uses is what makes the difference. Having someone play 12ver for the first time the first complaint is usually: "My arms hurt." It did not take any further effort compared with the standard string bass 4. After all you are pushing on three strings at the time, not one. After several hundred hours of practice you develop Popeye arms and then you can impress your friends with a crush walnuts in your bare hands ... Well maybe not walnut but you will develop strong fingers and arms. Short-and medium-scale version requires less effort because there is less tension on the long scale bass strings but has a deeper tone with a bright harmonics.
A 12 string bass can be played with a pick or the traditional finger style. I prefer to play finger-style, but in fact I only played finger-style about 20% of the time because there are few controls. 12vers can be used on most songs, if played with restraint but can be difficult on some songs if there is a fast-moving bass or melody. Since DRY does not follow a specific sequence from the specified list, I end up using mine on almost all. They sound best when they could hold between notes rather make almost kind of keyboard sound. Using both guitar and bass amps together worked well to get all the frequencies and the distortion a bit at the end of high voices make them larger. In the song with hard bass I mostly use the clean sound and use upward strokes with a vote to try to just hit the lower bass strings.
Example 12 Strings Guitar Bass With
Silver Star USB-12B 12-string bass
Silver Star is the house brand-name companies Un Sung Musical Instrument Inchon, South Korea. They have made 12-string bass under several brand names including Galveston, Carlo Robelli, Jet, Hense and Marcus Martini. USB-12B model number is used for 12, produced under the name of all brands. Maybe that "12B" designation means "the 12-string - Bolt-on neck." All brands and most feature rosewood fingerboards have a bat wing inlays and switchable active / passive electronics. The headstocks slightly different in shape between brands as well as the finished color. 8-saddle style bridge Tune-o-matic, 24 frets, tailpiece 12-hole, 34 "scale.Power Of The Twelve String
It's hard to imagine what popular music would sound like without the 12-string guitar. Some of the most pervasive music of the last 60 years owes its strength to a typical sound that Pete Seeger described as "bell tolling from" Songs like ". Goodnight, Irene," Rock Island Line, "" Walk Right In, "" Stairway to Heaven, "" Turn! Turn! Turn "and" Hotel California "shows what is important with color 12-string guitar is in the sonic palette of the 20th century. Musicians are varied in style as Melissa Etheridge, Pete Seeger, Leo Kottke, Leadbelly, Roger McGuinn, George Harrison, and Willie McTell have all made 12-string is an integral part of their music. In this article I will trace the development of a modern 12-string up through the player and instrument maker who guided through the 90s.
The origin
Modern 12-string guitar first appeared in America before the turn of the century. Luthier's name first doubled six-string guitar strings is not known standards. There are two theories about his background.
The first is that the 12-string guitar was developed by Italian luthiers working at a guitar workshop from companies such as Oscar Schmidt, Harmony, and the Regal in New York and Chicago. Italian music has a long history of wire-strings, of course, multiple instruments like mandolin and because many of the builders are of Italian descent, it would be a natural experiment for two strings from the standard six-string guitar. One of the most famous 12-string in the world has strong Italian connections. According to family legend, custom-ordered the famous Leadbelly Stella 12-string from Fulvio Pardini, Anyone who works for the company's Oscar Schmidt in New Jersey.
Another theory is that the 12-string arrived in the U.S. from Mexico. Latin America has a long history of two program variants from the standard six-string guitar. These include instruments like the tiple, charango, and the Cuatro. Mexico has a particularly large number of variations ranging from a small guitar guitarra de golpe into large guitarron.
IN the U.S., The idea that 12-string instrument is a long Mexican. A Lyon and Healy catalog was published around 1905 lists three models of the "11 - and 12-string guitar (Mexican style)." Appointment of Mexico used to distinguish a double course of bass guitar "12-string," a form of harp guitar. It is curious that the catalog mentions two model 11-string guitars but only one 12-string. From the description, it appears that 11-string guitar on seven string bass guitar with four doubles and three single trebles.
To further muddy the water was murky history of the 12-string early, there is a company in New Orleans called the Grunewald that makes double-course guitar in 1904. Its image catalog 12-string guitar described as "Grunewald-Harp Guitar: A New Invention" which has "two times with the tone of any guitar!."
Regardless of who found the 12-string guitar, it is considered something of a new instrument if considered at all. Except for custom orders very occasionally, more prestigious makers like Martin and Gibson 12-string left the market for low-end builders. This is a strong indication that buyers are 12-strings are at the end the poor in the social scale. Indeed, many, if not most, early recordings 12-string guitar is a blues musician in Georgia, and Mexico in Texas, tejano musician. It appears that the first musicians to take a 12-string street performers. They may be interested in the extra volume added to the double strings. Because it's double the string like a full, rich sound, singers can work without the other musicians, and store all results.
Dewa 12 string
Mexican-American guitarist in Texas not only attracted to the string 12. Around 1912, a young Huddie ("Leadbelly" Ledbetter, who was traveling with younger Blind Lemon Jefferson, Stella 12-string used to buy at Dallas pawn shop after hearing one played by a musician in the performance of drugs. Young guitarist took a new instrument for the party night. His description of the entrance at the party was also a challenge to the world: "I put my foot in the doorway and my fingers on strings and said, 'This is Leadbelly.'"
It is rare that the music from one of the musicians that define the instrument. This is not unreasonable statement to say that without the 12-string guitar Leadbelly will disappear into obscurity. Rural style of the early blues players like Blind Willie McTell was replaced by a new urban sound. In Mexican-American music, guitar and mandolin were replaced by the accordion and brass band instruments. Without a fight 12-string Leadbelly on '30s and '40s, will probably fall into that category of curiosity of history along with the harp, mandolin and bass guitar.
Leadbelly is a familiar line of life, with many parts reached legend status. He was born in Louisiana in 1888 on a small farm. As he grew up he learned to work hard and play hard, go to the first of many dealing with the law while still a teenager. He supports himself as a laborer, picking cotton, and cowboys. Along the way he learned to play the piano, concertina (which is called the ship to sail ""), mandolins, and guitars.
In 1917, Leadbelly was found guilty of murder and sentenced to thirty years at Shaw State Prison Farm in Texas. With the ability to work hard, and make him a prisoner of popular music with the same guards and inmates. In 1923 the governor of Texas, Pat Neff, heard Leadbelly on a tour of the farm work. Leadbelly wrote a song to apologize, and in 1924, in one last act before leaving office, pardoned Leadbelly Neff.
Although he was now free, Leadbelly was unable to stay away from trouble, and in 1930 he was back in prison, this time on charges of assault. He was sentenced to a ten-year hard work in Angola Penitentiary in Louisiana famous. Living in Angola brutal, and after a failed escape attempt Leadbelly cast about for a legal way to exit. He applied to the parole board to commute his sentence.
At the same time folklore named John Lomax was looking for musicians who knew the old folk songs from time to time. Lomax thought that prison, where punishment would be less affected by changes in the outside world, will be the best place to look. He contacted the warden at Angola, which introduced him to Leadbelly, and the two men's life changed forever.
In Leadbelly, Lomax found the warehouse he was looking for folk songs and more. Leadbelly seem to be able to remember almost every song, the field screaming, dance and song he ever heard, and he is a strong and charismatic players. Leadbelly hooked up with Lomax in what turned out to be a complex and controversial relationship.
At first Leadbelly and Lomax get along fine. Leadbelly worked as a driver, assistant, and liaison between Emory and the local African-American community in Lomax's song collecting trip in the South. They then went to the north, where Lomax gives lecture and Leadbelly played his songs. This lecture / concert given in most academic settings such as college or a scientific conference. Then they beat New York.
The story of convicts who sing way out of prison is too good for newspapers to pass up. They jump on stories, and overnight Leadbelly was the subject of sensational news, such as "Sweet Singer of Swamplands here to perform Few Tunes Between Murder 'and' kill the author of the song" Concerts, and offer set forth in the film, but Leadbelly Lomax, and was not ready. for fame and soon had fallen on top of money.
Leadbelly tried to play to black audiences, but no flowers are very small. A major event was established at the Apollo, but a disaster. A lot of sophisticated city people who are not interested in hearing the old rural blues and folk songs. Although he could not succeed in Harlem, Leadbelly found a new and unexpected audiences in Greenwich Village. The work of John Lomax and his son Alan has sparked an interest in folk songs among the intellectual left, and Leadbelly praised as the treasure of life. Leadbelly became a star in scenes of people before the war. His songs have been recorded by the Library of Congress and by Moe Asch, who then started Folkways Records. Songs like "Fannin Street," "Midnight Special," and the "Rock Island Line," learned and performed by aspiring folksingers. In May 1949, Leadbelly was diagnosed with Lou Gehrig's disease, and six months later he was dead. A year later the song, "Goodnight, Irene," sung by the Weavers, was a most popular song in America.
Like many 12-string players first, Leadbelly played a Stella 12-string, which is set to a low tone C. guitar provides the tone, rich and demand. Stellas larger than other 12-strings are made at that time, measuring 16 inches lower bout. The body also produces greater volume louder so important in pre-electric guitar world.
60s
After passing Leadbelly's, no single person has come out to continue the habit of using 12-string. As if the musicians to refrain from playing as a sign of mourning. Only a few players, like Dick Rosmini, Fred Gerlach, and Pete Seeger, 12-string continues the tradition alive. Seeger and the Weavers played with him from college to college in what is called "50's fear of" In an interview published by Andrew DeLory., Seeger says he considers his role in spreading the 12-string as "one of the most important task I never did. "
In the late 50's discovery of Pete Seeger's, a long neck five string banjo, folk scene is a symbol of the appliance. popular groups like the Kingston Trio and the Limeliters reinforced the perception that if you do not have a banjo that's not the people. However, in 1963 that knocked out two records banjo from his throne. Ironically the first record of Pete Seeger's "We Shall Overcome," which was recorded live at Carnegie Hall on June 8, 1963. Seeger used 12-string power and novelty to draw people to him like the buskers and drug dealers do in infancy showed that instrument. However, instead of snake oil, Seeger selling songs of justice and freedom. Extra volume and full 12-string guitar to create a perfect lead-singing together in an important part of the civil rights movement.
Another note to take the famous 12-string into a more rapid is "Walk Right In," by Rooftop Singers, a trio of shows right and left hand-45s Gibson J12 from Eric Darling and Bill Svanoe. This old Gus Cannon song went straight to the top of the charts, and the explosion of 12-string on.
Some time later, the 12-string everywhere. The Chad Mitchell Trio shows a young musician named James McGuinn worked on arrangements for Judy Collins records when he got the idea to play the so-called "Bach-sounding riff" on the Pete Seeger song, "Turn! Turn! Turn" A few years! Then he will remember this and use it in his new rock band, Byrds.
Record companies rushed out a quick album created by groups with names like Folkswingers and Folkniks. While these groups include guitarists like Howard Roberts, Glen Campbell and Tommy Tedesco, they hardly can be called the fold. And the action started to go mainstream "people" as well. Bobby Darin add the people to act in Vegas with his productive McGuinn 12-string duties. Even respectable singers like Marlene Dietrich went into action, recording songs like "Sag Mir wo die Blumen Sind (Where Have the Flowers Gone)" and "Paff der Zauberdrache (Puff the Magic Dragon)."
During this boom, companies like Gibson and Martin who had ignored the 12-string in the growth period jumped to cash in on his adolescence. Gibson introduced the J12-45 and B12-25, and Martin issued a D12-20 and D12-35. Guild, a small company struggling to find a niche, finding that this model is a bit heavier like F-212 could be set up to standard pitch, and these instruments started back in the hands of musicians such as Paul Simon and John Denver.
But before too long saturated category has been given 12-string acoustic a cliche. Like the unplugged version of faded from view, the new electric version, created by a Rickenbacker, took place. George Harrison, the first musician to use innovative instruments began to run on Rickenbackers. Jim changed his name to Roger McGuinn and transfers reduce he learned as an acoustic folkie to electric 12-string folk-rock and found. Songs like "Mr Tambourine Man," and Turn! Turn! Turn! "Introducing a new voice which permutations are still being explored. Led Zeppelin's folk melodicism learn from mixing with the power of rock and came up with" Stairway to Heaven "Tom Petty's musical style owes much to the Byrds made in the morning rang the" jingle "from the '60s..
In the late '70s Kottke hand problems forced to give up 12-string and for ten years he did not play a single concert. He began experimenting with different hand positions and picking techniques, and in the late '80s, he started playing a Taylor 55 mahogany 12-string. bob Taylor looks back with pride event, "said Leo told me one day that he stayed until 4:30 am I play guitar, and begins with the events that night he played 12-string in concert again. It was I who got the king of guitar 12-string for playing 12-string again! "
For years, the luthier and musician who worked together to create a guitar that would meet the needs of Kottke, and in 1990 Leo Kottke Signature Model is introduced. Bucking the trend for the 12-string that can be tuned to E, Kottke model is designed to be tuned down to C #, in effect making the modern version of the old Stellas. It is also unique because the first artist who designed and supported by 12-string guitar.
Kottke success opened the door for other players. Two guitarists to take advantage of new opportunities Harvey Reid and Paul Geremia. Reid grew up listening to the recording with musicians like the Kingston Trio and Pete Seeger. When he went to buy his first guitar, he chose Hoyer 12-string. For years, Reid has honed the technique to the point where he can choose only one string from a string pairs, so he's a wider tonal range. On occasion he also plays the guitar 12-string banjo, an instrument made by the Deering Banjo Company and created by musician Barry Hunn West Coast.
Paul Geremia was born in what he calls the Providence River Delta of Rhode Island. HE developed my interest in the blues at an early age, particularly the work of Blind Willie McTell. Hew can see a lot of great blues musicians rediscovered, such as Son House, Skip James, Fred McDowell, and Pink Anderson, on the various folk and blues festivals in the early '60s. Geremia has developed a style which for years based on the early acoustic blues players like Robert Johnson and Charley Patton, but still fully itself. The main 12-string guitar is a Tonk Brothers His model was constructed by Stella, similar to the Willie McTell played. Geremia has been said by critics as one of the most successful guitarists working in the tradition of acoustic blues.
